Tap along to the beat and read the tempo. Keep tapping and it keeps averaging, so the number settles instead of jumping — plus note-division times in milliseconds for setting delays.
A BPM tapper — also called a tap tempo counter — measures the tempo of music from you, not from a file. You tap along with the beat, it times the gaps between your taps, and each gap converts directly into beats per minute. It's the tool for every situation where the music is playing somewhere you can hear it but nowhere you can upload it.
Accuracy comes from averaging. A single pair of taps carries all of your timing jitter; sixteen taps average that jitter away, which is why the reading settles instead of flickering. Tap the quarter-note pulse — the beat you'd count 1-2-3-4 to — because tapping bars or eighth notes lands you at half or double the true tempo.
Beyond the raw BPM, the tapped tempo feeds a note-length table in milliseconds: how long an eighth note, a dotted eighth or a triplet lasts at that speed. Those are the numbers you dial into delay and reverb plugins to lock effects to the groove.
Every interval since your first tap goes into the average, so the number converges on the true tempo instead of chasing your last tap.
Space or Enter to tap, Escape to reset. Keys beat the mouse for accuracy because there's less physical travel per tap.
Stop tapping for 2.5 seconds and the next tap starts a fresh count — no button hunting when you lose the beat.
Straight, dotted and triplet note lengths at your tapped tempo, ready to type into any delay or reverb plugin.
The BPM comes with its classical marking — Largo through Presto — useful when a chart or a client brief speaks that language.
No sign-up, no upload, nothing to configure. Open the page and the first tap starts the measurement.
Music playing in the room, a vinyl set, a track on someone else's laptop — none of that is a file you can upload. Tapping is the only way to get a tempo from sound you can hear but can't process.
A delay set to an arbitrary millisecond value fights the groove. The note-length table converts your tapped tempo straight into the numbers your plugin wants, including the dotted eighth that most rhythmic delays use.
Bands drift. Tapping along to a run-through tells you what tempo you actually played at, which is usually not the tempo you thought you played at — useful before you commit to a click track.
Choreography and class formats are built around tempo bands. Tapping a candidate track tells you in a few seconds whether it fits the section you're planning, without loading it into anything.
Click the panel or press the spacebar in time with the music. Tap the quarter-note pulse — the beat you'd naturally count or nod to, not every drum hit.
Every interval in the session is averaged, so accuracy climbs the longer you tap. Eight to sixteen taps usually lands within 1 BPM. Pause for 2.5 seconds and it starts a fresh count.
You get the BPM, its Italian tempo marking, and a table of note lengths in milliseconds — straight and dotted and triplet — for timing delay and reverb to the track.
It records the time between your taps. Two taps give one interval, which converts directly to beats per minute. Every extra tap adds another interval to the average, which is why the reading stabilises as you keep going rather than reacting to a single mistimed tap.
At least four to get a usable number, and eight to sixteen for something you'd trust. Because the tool averages the whole session, more taps smooth out your own timing jitter. If you lose the beat, pause for a couple of seconds and start again.
Yes. Press Space or Enter to tap and Escape to reset. Keyboard tapping is usually more accurate than the mouse because there's less physical travel. Key repeat is ignored, so holding the key down won't inflate the count.
Tap the quarter-note pulse — the steady beat you'd count 1-2-3-4 to. Tapping once per bar gives you a quarter of the real tempo, and tapping every eighth note doubles it. If the number looks half or double what you expected, that's usually why.
They're the length of each note value at the tapped tempo. Set a delay to the 1/8 value for an eighth-note echo that locks to the groove, or use the dotted 1/8 for the classic dotted delay sound. Reverb pre-delay and decay are commonly dialled to these numbers too.
Yes — the BPM Detector analyses an uploaded audio file and finds the tempo automatically, no tapping required. Tapping is better for live sources, vinyl, or when you only have the song playing somewhere you can hear it.
Click or hit the spacebar in time — the number settles as you go.
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