Find out how wide your voice actually is. Sing from your lowest comfortable note up to your highest and get the range in note names, semitones and octaves.
0 pitch readings captured
Audio is analysed live in your browser and never recorded, stored or uploaded.
A song sits well or badly depending on where its highest notes land relative to your ceiling. Knowing your actual top note tells you how far to transpose before you waste a rehearsal finding out.
Range is one of the few things about a voice that's straightforwardly measurable. Recording the number every few weeks shows whether the training is moving anything, rather than relying on impression.
Placing singers into sections works better with measured ranges than with self-reported ones. Most people guess their range wrong in both directions.
Writing a melody that sits outside the singer's range is the most common reason a demo has to be rewritten. Checking the range first sets the boundaries before the melody exists.
Allow microphone access, then start on a comfortable note in the middle of your voice. Measuring cold gives you a smaller range than you actually have.
Sustain each note for a second or so rather than sweeping quickly — the analyser only counts frames it's confident about, and a fast glide barely registers.
The top and bottom 5% of readings are trimmed before the result is calculated, so one squeak or vocal fry can't inflate your range beyond what you can actually sing.
Sing down to the lowest note you can hold cleanly, then up to the highest, sustaining each note rather than sliding. This tool tracks the pitch live and reports the lowest and highest notes it confidently measured, expressed as note names like C3 and A4.
Most untrained singers cover somewhere between 1.5 and 2 octaves. Trained singers commonly reach 2 to 3, and the famous outliers go well beyond that. Range is only one measure of a voice — tone, control and where your range sits matter more for what you can actually sing.
Not on its own, and be sceptical of tools that claim to. Voice type — soprano, alto, tenor, bass and the rest — depends on tessitura, where your voice sits comfortably for long stretches, plus timbre and passaggio placement. Your outer limits are just one input to that judgement.
Usually one of three things: you're not warmed up, you slid through notes too quickly for the detector to lock on, or the extremes were breathy enough to fall below the confidence threshold. Sustain each note for about a second and try again after warming up.
It's the median of every pitch you produced during the take — a rough indication of where your voice naturally sat, rather than where its limits are. Since it's biased by how long you spent at each pitch, it's a hint rather than a formal tessitura measurement.
No. Audio is analysed frame by frame in your browser and discarded immediately — only the detected frequencies are kept in memory to compute the range, and those disappear when you reload. Nothing is stored and nothing leaves your device.
Sing low to high and find out — free, live, nothing recorded.
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