Strings run D2 A2 D3 F3 A3 D4, in playing order. Tune by microphone below, or read the exact frequencies and what changes from standard guitar tuning.
| # | Note | Frequency (Hz) |
|---|---|---|
| 6 | D2 | 73.42 |
| 5 | A2 | 110.00 |
| 4 | D3 | 146.83 |
| 3 | F3 | 174.61 |
| 2 | A3 | 220.00 |
| 1 | D4 | 293.66 |
Pitch is detected live in your browser and never recorded, stored or uploaded. Frequencies use A4 = 440 Hz.
What each string does relative to standard Guitar tuning. Work down the list in order — retuning one string changes the neck tension slightly, so go back and re-check the first string once you've finished.
| String | Standard | This tuning | Change |
|---|---|---|---|
| 6 | E2 | D2 | down 2 semitone(s) |
| 5 | A2 | A2 | unchanged |
| 4 | D3 | D3 | unchanged |
| 3 | G3 | F3 | down 2 semitone(s) |
| 2 | B3 | A3 | down 2 semitone(s) |
| 1 | E4 | D4 | down 2 semitone(s) |
Open D with the third string dropped one further semitone, turning the open chord from major to minor. A single string separates the two, so switching mid-set is realistic — useful when a set needs one dark piece among brighter open-D material.
One semitone separates this from Open D: the third string drops from F# to F, converting the open chord's major third into a minor third. Everything else is identical, which makes it uniquely practical among alternate tunings — a single peg turn switches the entire instrument between major and minor tonality mid-set. Slide players use exactly this to move a piece from bright to bleak without changing hand position. Because only one string differs, fingerings learned in Open D remain valid anywhere they avoid the third string, and need only a one-fret adjustment where they don't.
Open D Minor runs D2, A2, D3, F3, A3, D4, in playing order. The lowest-pitched string is D2 (73.42 Hz) and the highest is D4 (293.66 Hz), measured against A4 = 440 Hz. Those are the exact target frequencies the tuner on this page listens for.
4 of the 6 strings move: E2 down 2 semitone(s) to D2; G3 down 2 semitone(s) to F3; B3 down 2 semitone(s) to A3; E4 down 2 semitone(s) to D4. Work through them in order, then go back and re-check the first string — retuning shifts the neck tension slightly, so the earlier strings drift as you go.
Open D with the third string dropped one further semitone, turning the open chord from major to minor. A single string separates the two, so switching mid-set is realistic — useful when a set needs one dark piece among brighter open-D material.
D2 is 73.42 Hz at concert pitch (A4 = 440 Hz). That's the fundamental — the string also produces harmonics above it, which is why a tuner reading the wrong octave usually means it locked onto a harmonic rather than the fundamental. This is the lowest string in this guitar tuning.
One semitone separates this from Open D: the third string drops from F# to F, converting the open chord's major third into a minor third. Everything else is identical, which makes it uniquely practical among alternate tunings — a single peg turn switches the entire instrument between major and minor tonality mid-set. Slide players use exactly this to move a piece from bright to bleak without changing hand position. Because only one string differs, fingerings learned in Open D remain valid anywhere they avoid the third string, and need only a one-fret adjustment where they don't.
The tuner above snaps to this tuning's strings — no app, no sign-up.
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