Strings run D2 A2 D3 F#3 A3 D4, in playing order. Tune by microphone below, or read the exact frequencies and what changes from standard guitar tuning.
| # | Note | Frequency (Hz) |
|---|---|---|
| 6 | D2 | 73.42 |
| 5 | A2 | 110.00 |
| 4 | D3 | 146.83 |
| 3 | F#3 | 185.00 |
| 2 | A3 | 220.00 |
| 1 | D4 | 293.66 |
Pitch is detected live in your browser and never recorded, stored or uploaded. Frequencies use A4 = 440 Hz.
What each string does relative to standard Guitar tuning. Work down the list in order — retuning one string changes the neck tension slightly, so go back and re-check the first string once you've finished.
| String | Standard | This tuning | Change |
|---|---|---|---|
| 6 | E2 | D2 | down 2 semitone(s) |
| 5 | A2 | A2 | unchanged |
| 4 | D3 | D3 | unchanged |
| 3 | G3 | F#3 | down 1 semitone(s) |
| 2 | B3 | A3 | down 2 semitone(s) |
| 1 | E4 | D4 | down 2 semitone(s) |
Strummed open it sounds a D major chord, which makes a barre across any fret a full major chord — the reason slide players favour it. Five of the six strings are D or A, so the drone is heavy and the tuning suits modal, droning material more than fast chord changes.
The open strings spell D, A, D, F#, A, D — root, fifth, root, third, fifth, root. Because every string belongs to the chord, a straight barre anywhere produces a complete major triad, which is the property slide playing depends on entirely. The cost is that the tuning is committed: the third sits on the third string, so reaching minor requires flattening that one string rather than adjusting a fingering. Five of six strings being D or A also means the tuning drones heavily, favouring modal and vamp-based writing over music that needs to move between distant keys.
Open D runs D2, A2, D3, F#3, A3, D4, in playing order. The lowest-pitched string is D2 (73.42 Hz) and the highest is D4 (293.66 Hz), measured against A4 = 440 Hz. Those are the exact target frequencies the tuner on this page listens for.
4 of the 6 strings move: E2 down 2 semitone(s) to D2; G3 down 1 semitone(s) to F#3; B3 down 2 semitone(s) to A3; E4 down 2 semitone(s) to D4. Work through them in order, then go back and re-check the first string — retuning shifts the neck tension slightly, so the earlier strings drift as you go.
Strummed open it sounds a D major chord, which makes a barre across any fret a full major chord — the reason slide players favour it. Five of the six strings are D or A, so the drone is heavy and the tuning suits modal, droning material more than fast chord changes.
D2 is 73.42 Hz at concert pitch (A4 = 440 Hz). That's the fundamental — the string also produces harmonics above it, which is why a tuner reading the wrong octave usually means it locked onto a harmonic rather than the fundamental. This is the lowest string in this guitar tuning.
The open strings spell D, A, D, F#, A, D — root, fifth, root, third, fifth, root. Because every string belongs to the chord, a straight barre anywhere produces a complete major triad, which is the property slide playing depends on entirely. The cost is that the tuning is committed: the third sits on the third string, so reaching minor requires flattening that one string rather than adjusting a fingering. Five of six strings being D or A also means the tuning drones heavily, favouring modal and vamp-based writing over music that needs to move between distant keys.
The tuner above snaps to this tuning's strings — no app, no sign-up.
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